Lk21 The Great Wall 2017

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Damon and Pascal play William and Tovar, respectively, wandering European mercenaries who are captured by the Chinese army of the Nameless Order shortly after they slay a mysterious green monster. The monster, they are told, is a 'Tei Tao,' one of a horde of creatures that attacks the now-famous Great Wall of China once every 60 years. William and Tovar are initially unmoved by the Nameless Order's considerable plight; they want to make their fortunes by stealing gunpowder from their hosts, and selling it to European traders. But eventually, William and Tovar's agendas drift apart after William becomes seduced by the formal control and selfless zeal that defines the Nameless Order.

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And who wouldn't be impressed? The Nameless Order marches around in colorful suits of armor that come in hues of indigo, crimson and cerulean. They launch themselves at their enemies using pulleys, bungee cords, hot-air balloons, boulder-spewing catapults, and many, many arrows. Each crowd shot in this film is remarkable, but not because director Zhang Yimou ('Hero,' 'House of Flying Daggers') and his assistant directors know how to direct extras. On the contrary, the impassive faces of the Nameless Order's soldiers remind us that all of these people, together, are remarkable. In that sense, the scene where William admits that he killed a Tei Tao 'alone,' without the aid of Tovar or his slain mercenary colleagues, is a significant reminder of the film's communal ideology: William, as an undisciplined loner, must prove that he's worth just as much as a selfless Chinese soldier.

The film's action scenes also exemplify a sense of precise, shared responsibility that one rarely sees in action-spectaculars. The army works together as a unit, just as the Tei Tao do. You can imagine how hard that philosophy might be to enforce given that it demands a big enough budget to focus on two warring armies' clashing maneuvers. But no, the film's action set pieces are not only thrillingly large-scale, but visually rapturous, despite a preponderance of computer-generated imagery. There are a handful of well-choreographed and well-directed, Damon-centric action sequences, but it's very easy to be seduced by scenes that focus on impersonal warfare. In the latter scenes, the art department flexes their collective muscles with every lionhead-shaped helmet and barbed offensive weapon. Who could remain unmoved after watching a group of individuals dangle, thrust, and throw everything they've got at a legion of deranged-looking creatures?

Dear Friends,

This Fourth Sunday of Easter is dedicated as Good Shepherd Sunday, also known as the World Day of Prayer for Vocations. In addition to our continuous prayers for the end to the COVID-19 pandemic, this weekend the Church invites us to pray for vocations and in particular, for an increase in vocations to the Priesthood and Consecrated Life.

Powerful leaders generally have authoritative titles such as Emperor, King, Commander in Chief, President, etc., to demonstrate the magnitude of their power. However, Jesus chose to humbly identify himself as a shepherd. He does this to reveal to us the depth of God’s tender love and care for us. Following Jesus’ footsteps, the Church today calls priests in charge of parishes as pastors, which is a direct translation of the word, “shepherd” in Latin. Pastors are called to model their lives after Jesus and to be servant leaders rather than managers, CEOs or supervisors. The call to lead with a loving and caring heart also applies to parents and every Christian in a leadership position.